On the participation of the intelligentsia in the revolution and post-revolutionary transformations of the Soviet country.

Suh Jung-hwan is the head of marketing at a cosmetics company. A year ago, masked robbers raped his wife, Oh Hye-ryung, in front of him. Hye-ryung lives in torment from the memories. Jung-hwan tries to overcome this through his great love for his wife but they're not able to reclaim a normal sex life. Jung-hwan meets a woman named Noh Sung-ah. She is hot for him but Jung-hwan works desperately to stay true to his poor wife. Jang-suk, a young man who likes Sung-ah, decides to go after Hye-ryung after losing Sung-ah. His intentions are money. Ultimately, there is infidelity at the end of Jang-suk's knife and the adulterers fall. Jang-suk also falls to the knife that he himself holds.

The production by Calixto Bieito extracts all the potential from this work in a most convincing and spine-chilling way. The action takes place in a closed society of the 1950s, taking this story of witchcraft, sex and religion to the realism of imitation leather sofas, crochet cardigans, medical abuse and child molestation.

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

Dan, a closeted homosexual, goes to a cruising area under a bridge to confront his darkest secret. It isn't until he meets a younger and more confident Paul that he realises his biggest fear is just the beginning of something much closer to home.

A tense, compact adaptation of Ambrose Bierce’s “An Occurrence at Owl Creek Bridge,” Bridge (Polish title Most) recreates the surreal final moments of a condemned man awaiting execution during the American Civil War. In Majewski’s hands, the familiar twist — reality folding into illusion — becomes a lean, visual meditation on death, perception, and the fragility of hope.

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Tony Palmer's documentary about the staging of Britten's choral work.

Part I: His family having moved following their ordeal at Michael Hawkins' hands Creegan is deemed fit to return to work but both he and Susan are resentful of bright new colleague Martin Simmons,brought in to replace the slaughtered Rivers. A charred corpse is discovered in a disused mental home,bearing the mark Y Me. A second murder occurs committed in the same way and again Y Me is the motive. The victim was last seen in the company of her boyfriend Andy,according to her baby-sitter Lynn Southy and he becomes the prime suspect. Part II: Susan interviews a noted arsonist imprisoned in France,Jacques Dutronc,on the psychology of arson whilst both Andy and another fire-raiser,former asylum inmate Miles Van Der Twemp are cleared as having no links to both murders. A new suspect enters the frame, Susan Etchells,who was in the asylum under her mother's name,Susan Winters - the latest victim being a teacher who sacked a woman by that name. Creegan finds that he has to go back to school,literally,to discover the disturbed woman behind the attacks and risk his life to save another victim.

这部短片讲述了从“女孩”成为“女人”的心理转化旅程。A small and simple story which tells the journey of psychological change from "a girl" to "A woman".